Soulbird hopes to build a safe nest for Iraqi artists

20 October : Soulbird

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From Atlanta’s Creative Loafing:

Brady hopes the new academy in Kurdistan can also address what he views as the cultural isolation of the Kurdish populace from other countries. By fostering creativity and offering a safe haven for Iraqi artists, the academy intends to open a wider door for international dialogue of all kinds.

Read the rest here.

RT @linernotesdanny: How You Can Help in Iraq

24 September : R. Timothy Brady

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We love bloggers here @soulbird.  We especially love blogger Daniel Stephen Johnson of New Haven, CT, USA (@linernotesdanny):

Hey did you ever notice that when people complain about the difficulties facing people in the war-torn Middle East, the solution they come up with is usually “drop some more bombs on it”? Wouldn’t it be nice if, instead, we could give them money and music and other things that actually improve life instead of ending it?

Read the rest of his post about our work in Iraq.

The new soulbird.org

21 September : Soulbird

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After many months of undergoing an extensive redesign, we’ve finally launched soulbird.org v2.0. We’ll be adding content and filling in the spaces in the coming weeks. If you happen to notice any bugs, please kindly let us know. Happy exploring!

Next on the horizon

6 August : Soulbird

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SB_Brand_EXT_2Concert halls, art galleries, and movie theaters have been completely destroyed. Walking to school while carrying an instrument and practicing piano at home can get you killed. This is reality for the majority of artists living in Iraq today.  We are opening an Academy in the relatively safer Kurdistan region of Iraq.  Find out how you can help »

“The Christmas Bills Blues”: Round Two of Filming

20 February : Elaine Power

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Winter can be a difficult time for those living in poverty in Canada. The Christmas bills roll in, heating bills soar, and a broken zipper on a winter coat can bring a person to tears. With the lack of light, extra expenses and difficulty getting out, depression can deepen.

We decided to do a second round of filming in early February to try to capture some of the difficulties the film participants face during the long, often bleak winter months. Here are updates on the four mothers we filmed in June, plus a summary of the interview we did with Alison, who was unable to participate in June.

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